By Mark Wilson

In Seth Panitch’s novel Antique, objects are never just objects. A necklace is not merely jewelry. A family heirloom is not simply an item passed down through generations. Every antique in the novel carries emotional weight, buried history, and the possibility of revelation. That idea gives the book its unusual power, transforming a story set in the world of appraisals and auctions into something far more intimate: a moving exploration of identity, inheritance, and the ways people search for meaning through the things they keep.

Panitch brings considerable storytelling experience to that task. After earning his MFA from the University of Washington’s Professional Actors Training Program, he went on to act and direct at major Shakespeare festivals in Colorado, Utah, Texas, Seattle, and Pasadena. In 2005, he joined the University of Alabama as a Professor of Theatre and head of the MFA Acting Program. In 2008, he became the first U.S. director to work in partnership with the Cuban National Office of Scenic Arts when he directed The Merchant of Venice in Havana, Cuba. His creative work has also extended into film, with Service to Man and The Coming, and into playwriting, with several productions staged Off Broadway. With Antique, Panitch channels that dramatic sensibility into a novel that is rich with mystery, emotion, and heart.

At the center of the story is Grace Schaffer, a celebrated appraiser from an Antiques Roadshow-style television show whose life has come undone. Her husband has had an affair. Her marriage is over. Her career is in ruins. Her father, a towering figure in art history, has passed away. Grace is left untethered, trying to rebuild herself at the very moment she no longer knows who she is without the life she once had.

That crisis is what gives Antique its emotional stakes. Panitch has explained that the story’s deeper question emerged from the simple premise of antique appraisal itself. “If you’ve ever seen Antiques Roadshow before, you know that people bring these incredible, cherished heirlooms to the appraisers to ask how much they’re worth, but if you look closer, you realize they’re asking ‘What am I worth?’” he says. “Grace Schaffer has lost the answer to that question.”

That insight drives the novel. Grace is not just evaluating objects; she is also, whether she wants to or not, evaluating herself. The heirlooms that pass through her hands become mirrors, reflecting the hopes, grief, pride, and longing of the people who bring them in. The emotional charge attached to those objects is what fascinates Panitch most, and it is what gives the novel its particular blend of realism and magic.

That magic enters the story through a tarnished necklace that Grace overvalues because of what it means to a mother and daughter. The choice is personal, impulsive, and rooted in feeling rather than market logic. But once Grace buys and wears the necklace herself, something changes. When she assigns values to objects based on emotional meaning rather than objective appraisal, those objects begin selling at auction for exactly what she has predicted.

The supernatural twist is compelling, but it works because it is anchored in a recognizable truth: inheritance is rarely about money alone. Families pass down love, disappointment, memory, silence, pride, and unresolved pain along with material things. Panitch understands that what is handed down can be both treasure and burden, especially between parents and children.

That is one reason Antique feels especially resonant as a family story. Grace’s connection to her late father is deeply tied to her professional identity. She had reached a point in her own career where she felt she could finally communicate with him through their shared world of art and history, only to lose him. At the same time, she is left grappling with a mother she does not fully understand. That emotional terrain gives the novel a rich undertow, because Grace’s struggle is not just about reclaiming a job or a reputation. It is about making peace with the people and legacies that shaped her.

Panitch’s own reflections on aging and experience deepen that theme. He has said that Antique is rooted in the tension between two opposing definitions of the word itself: something old and valuable, or something outdated and discarded. “Do we as a society value age and experience and wisdom, or do we discard it for the new, flashy, hot-thing-of-the-moment?” he asks. In that sense, Antique becomes a quiet defense of what endures, older people, older stories, older objects, and the emotional inheritance they hold.

The novel’s family dynamics are also connected to Panitch’s larger belief in the magic of older things. “I think there is great magic in forgotten things, in old things, in us as we age,” he says. That magic in Antique is not decorative. It reveals what people cannot always say directly. It gives form to grief, longing, and unresolved love. It insists that what has been overlooked may still carry immense value.

That idea makes the book especially appealing for readers drawn to emotionally layered fiction. While Antique has the momentum of a literary mystery and the shimmer of magical realism, its heart lies in the human need to locate oneself within a larger chain of connection. Families do this through stories. Through keepsakes. Through the objects they save long after practicality has faded. Panitch understands that such things can outlast explanation, and that their meaning often grows rather than shrinks over time.

What readers ultimately find in Antique is a novel that asks them to look again, at objects, at family, at memory, and at themselves. Grace’s journey through heartbreak and rediscovery becomes a reminder that value is not always visible at first glance. Sometimes it must be uncovered, interpreted, and felt.

Panitch hopes people finish the novel with a sense of the hidden richness within themselves. “I hope they can take away a little of my experience in writing the book: that there are hidden parts of themselves that deserve to be uncovered, dusted off, and celebrated,” he says. “That there is magic within us, if we dare to use it.”

In Antique, inheritance is never just about what is left behind. It is about what still lives within us, waiting to be recognized.

To purchase a copy of Antique, go to Amazon and other major book retailers.